阿布内尔·帕斯
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导演：
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赛义德,法尔哈德
剧情：
"巴图克自称是最幸运的父亲，因为自己有三个美丽的女儿甘达，嘉娜、莎拉。然而他却不希望女儿们结婚，理由是家族里的女性结婚后都过得很不幸福。女儿们表面上答应父亲要保持单身，而实际上三人各自都有了心爱的人。由于不得已的“苦衷”，小伙子们要分别扮成“瘸子”、“瞎子”、“哑巴”出现在岳父面前。一方面不能被识破，另一方面还要获得岳父的允许，使尽浑身解数想要赢得岳父的首肯。由此引发了一连串令人捧腹的故事。然后，事情却远非女人们想象的那么简单，父亲隐瞒着一个惊天的秘密......女儿们能够顺利成婚么？三个小伙子真的是真爱么？一场好戏刚刚开始。"
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巴纳比·汤普森
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When a romantic getaway to Paris takes a dark turn with the sudden disappearance of her boyfriend Tom aboard a train to the south of France, Alice is plunged into a web of intrigue and danger, uncovering shocking secrets about the man she thought she knew.
导演：
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巴纳比·汤普森
剧情：
When a romantic getaway to Paris takes a dark turn with the sudden disappearance of her boyfriend Tom aboard a train to the south of France, Alice is plunged into a web of intrigue and danger, uncovering shocking secrets about the man she thought she knew.
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里克·雅各布森
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剧情：
该剧为原版的后续和拓展，如果《斯巴达克斯：复仇》第二季的结尾，Ashur（尼克·塔拉贝 Nick E. Tarabay 饰）没有死在维苏威山，如果他因为帮助罗马人杀掉斯巴达克斯并终结奴隶反叛而被赠与了曾属于巴蒂塔斯的角斗士学院，会怎么样？
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里克·雅各布森
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该剧为原版的后续和拓展，如果《斯巴达克斯：复仇》第二季的结尾，Ashur（尼克·塔拉贝 Nick E. Tarabay 饰）没有死在维苏威山，如果他因为帮助罗马人杀掉斯巴达克斯并终结奴隶反叛而被赠与了曾属于巴蒂塔斯的角斗士学院，会怎么样？
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迈克尔·珊农
剧情：
Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
